Mory Kanté: African song star dies aged 70

Musician Mory Kanté (2010 record photo)Image copyright

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Mory Kanté was of one West Africa’s best-known musicians

The thespian Mory Kanté, who helped move African strain to universe audiences with hits like Yéké Yéké, has died in Guinea.

Kanté died in sanatorium on Friday in a capital, Conakry, aged 70, his son Balla Kanté told a AFP news agency.

His genocide was a outcome of untreated health problems, he said.

“He suffered from ongoing illnesses and mostly trafficked to France for diagnosis though that was no longer probable with a coronavirus,” he added.

“We saw his condition mellow rapidly, though we was still astounded since he’d been by most worse times before.”

Born in a famous family of “griots” – West African musicians and storytellers – he had been nicknamed “the electronic griot”, and was famous as a renowned actor of kora – a West African harp.

His strain Yéké Yéké became a outrageous strike in a late 1980s and was widely remixed.

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Youtube post by illplayguitarforyou: Mory kante - Yeke Yeke (Official video)Image Copyright illplayguitarforyou

Tributes were paid by associate musicians on Friday, including Senegalese musician Youssou N’Dour who pronounced he felt a outrageous blank on training of Kanté’s genocide and called a late thespian “a baobab of African culture”.

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The boss of Guinea, Alpha Condé, pronounced on Twitter that African enlightenment was in mourning. He thanked Kanté, observant his career had been “exceptional”.

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Kanté is a latest distinguished African musician to pass away, after a new deaths of Manu Dibango, Tony Allen and Idir.

  • ‘World’s biggest drummer’ Tony Allen dies
  • Manu Dibango: The saxophone fable who desirous a disco slit
  • Algerian thespian Idir dies in France aged 70

Avant-garde musician – and humanitarian

By Ata Ahli Ahebla, BBC African strain presenter

Mory Kanté started strain during a age of only seven, when he was sent to Mali to learn to play a kora harp.

In a 1970s, he assimilated Mali’s mythological organisation a Rail Band of Bamako and achieved alongside Salif Keita and became a lead thespian after Keita left.

His general success came in 1988 when he expelled his manuscript Akwaba Beach, that includes Yéké Yéké. Millions of copies of Yéké Yéké were sole and Akwaba Beach became a best-selling African manuscript of that time.

He belonged to a era of fashionable African musicians who dared to emanate new sounds.

Born and lifted in a West African Mandigo normal enlightenment and Muslim religion, he came adult with an singular sound by blending his kora with electronic music.

As a goodwill envoy for general organisations like Unicef, a FAO, UNHCR, he was concerned in several charitable causes in Africa and Eastern Europe.

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